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Botanical Printing and Natural Dye Part 2

If you missed my first installment sharing the results of a 4-day class on Botanical Printing and Natural Dye, just click here to be all caught up. A reminder that I am not showing everything I did in this class, just the pieces that I found the most exciting and that I can see using in future art pieces.

The example below, shown in two images, was one piece of silk noil fabric with half of the piece being covered in an iron-dipped cotton cloth. I love the results on both halves. The first photograph is the side with the iron blanket. The prints of the leaves are sharp, though the pigment transfer did not highlight veins of the leaves, except in the far right leaf.  I really like the subtle color background on this fabric — it’s uneven and has a dreamy, quiet feel. The iron blanket prints were unsatisfactory so I won’t show it here.

The leaves on this side of the fabric were dipped in an iron solution. The veins are well defined in these prints. The colors that came from the leaves varied — there is brown, gray, black, yellow and violet here! A wonderful mix that has great possibility! Again, I have some splotching where the iron solution dripped from the leaves while they were being placed on the fabric. This is one yummy piece of fabric!

I almost passed on the opportunity to print with this next fabric, a silk jersey dyed with logwood. This is not a fabric I would ever choose to work with. It slips and slides just looking at it. But boy, am I ever glad I did! The prints that I got are incredibly clear on both the silk and the cotton that was dipped in iron solution. Thank you, Kristy, for that gentle nudge in the right direction.

I’ve taken two images of this piece of fabric to better show the prints. I love the sharpness of the prints, the variety of colors and the bonus of having two great images of each leaf. I will stabilize the jersey fabric with Pellon Shirt Taylor before I incorporate it in my work.

Stay tuned for part three. I think you’ll discover some nice surprises.

 

 

Botanical Printing and Natural Dye Part 1

I spent four days in early July with Kristy Kun of Opulent Fibers and three classmates learning about the process of botanical printing and natural dyeing. Kristy spent the week before our class preparing the fabrics with mordant — a substance that prepares the fibers of the fabric to bond with natural dyes — and dye so we were able to hit the decks running from the first day. We produced prints on a variety of fabrics and a good range of natural dye such as logwood, madder, cochineal, weld and chestnut. I am more interested in printing with botanicals than I am in dyeing fabric using plant resources and you’ll see that reflected in the samples I will share here.

Each of us brought our own fabric to use as the iron blanket — fabric dipped in an iron solution or fabric wrapped around some rusted metal– that was used for many of the prints. I was delighted to see that many of the plants I used printed very successfully on the primary fabric as well as the iron blanket. This first sample shows just that. The fabric on the bottom of the photograph is silk noil with chestnut dye. The blanket is cotton fabric dipped in an iron solution. Plants used were sumac (a variety I was not familiar with but what a beautiful leaf! My classmates referred to it as ‘fancy’ sumac.) and peony. Click on photos to reveal a larger view.

Plants here are peony, dogwood and sumac. I can definitely imagine using both the silk and the cotton prints.

The following images are of two panels (two images per panel) of silk noil using plants dipped in iron solution and no iron blanket. Panel one has wild blackberry, maple

hawthorn and oak. I’m very happy with the shadowy effect that was caused by some dripping of the iron solution as I placed the leaves on the fabric.

The second panel has eucalyptus, maple

and sumac. I love the strong colors and crisp edges produced in these samples.

Stay tuned for part 2 coming soon.