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Threads of Resistance — Final Word

I received word from the curators and jurors earlier this week and my piece was not selected for the Threads of Resistance exhibition. Four Hundred artists from around the world responded to this call for entry with 550 artworks submitted for consideration. The ten curators and jurors of the exhibit have their work in the exhibit leaving just 49 pieces selected from the 550 entries. Now that’s stiff competition!

I am confident that the exhibit will be exceptional. I know seven of the artists who had their work selected and their work never disappoints. If you haven’t viewed all of the work submitted yet, I encourage you to do so. I shared information about an on-line viewing that is available and provided the link here. You can view the schedule for this traveling exhibit by clicking on the ‘schedule’ tab.

I will be keeping my eye open for other opportunities to share my work. My resistance to the Trump administration doesn’t stop here.

Threads of Resistance Entry 

Within minutes of reading the Threads of Resistance call for entry — a juried exhibition of work created to protest the Trump administration’s actions and policies — a lightening bolt of inspiration hit me. I knew the subject I had to address and what I wanted to create. As always, the technical issues were resolved in the process of construction.

Though not a color I enjoy working with, the choice was clear — pink. I pulled fabrics from my stack and then went shopping. Click on images to reveal a larger view.

I was happy to sign Cecile Richards’ on-line letter thanking the staffs of Planned Parenthood centers across the United States for their stalwart support of their communities. I printed the letter on twelve different fabrics. Next I started experimenting with the layout of the letters on the background fabric.


It took several layouts

to find the one that worked the best.

Here’s the final layout.

Next came the message. I used one of my alphabet stencils, drew out the message and enlarged it to the appropriate size. After reversing the image, I printed it on WonderUnder.

Marking and thread selection were up next. That’s 110-wt. silk from Superior Threads. I love the way it quilts, almost melting into the fabrics.

And here it is quilted and blocked. I still get a kick out of how both the water soluble marker (blue lines) and the heat sensitive marker (white lines) disappear during the blocking process. It’s my kind of ‘magic’!

Now to get the placement of the wire hanger right. After pinning a hanger to several spots I settled on this arrangement.

Here’s the completed piece.

And a detail image:

My artist statement for this entry reads:  In a 7-2 decision on January 22, 1973, the Supreme Court stuck down an 1857 Texas statute that made abortion illegal except where the life of the mother was in danger. In its ruling, the court recognized for the first time that the constitutional right to privacy “is broad enough to encompass a woman’s decision whether or not to terminate her pregnancy.” Immediately after Roe was decided, opponents of safe and legal abortion urged state and federal lawmakers to pass laws stripping away at or banning abortion. We must not step back 160 years by allowing this right to be taken away.

Threads of Resistance will premiere at the New England Quilt Museum in Lowell, MA, on July 11th and will travel throughout the United States. See the current confirmed venues here. The organizers continue to seek more venues and will be updating their website as they are added. I have every confidence that this will be a very powerful exhibit, encouraging conversation on many topics.